Canberra's Hands Like Houses have always had a knack for abstract concepts woven into deeply relatable lyricism, take 2013's 'A Tale of Outer Suburbia' for example (a personal favourite) that narrates the perspective of a bear waking up from hibernation to see the destruction of his land, yet lyrically can also relate to the doom [...]
Sunny and bright, the opening riffs of The Rollercanes' latest single 'Cops on Bikes' is full of summer air. Relatable as anything toward all creative industry folk, the song narrates the dead-end feeling of constantly trying to prove your worth as an artist. "I spend every cent on a dream that’s going nowhere / but [...]
Deep funky basslines drive the latest single from Melbourne’s Creature Fear. Picking up into a thunderous chorus filled with gritty rock riffs and dark grungy vocals of singer Cameron Graham, it gives off a Royal Blood-styled gothic energy. The chorus is upbeat and fun “little fishy in my soul / take a hook and down [...]
As a ripping guitar line drones out over a heavy beat, Melbourne dark pop act PRETTY BLEAK's latest single 'Living with Mice' is a tasteful blend of grunge and pop, taking identifying elements from both to create a melodically haunting track. Taking place in a concept of purgatory, vocalist Sam Thomas illustrates "lyrically the song [...]
"I don't want your sympathy / Stop saying you give a shit" If this is the first taste of beabadoobee's debut album then boy are we in for a treat. 'Care' takes us from the lo-fi bedroom pop of previous releases and spits us out into a world of '90s rebelliously angsty rock. As it [...]
